RECORDED LIVE AT ANALOG
Program Rights Date Range
-
NOLA Code:
RLAA 0200 H1
Number of Episodes/Length:
7 / 60
Genre:
Collections:
Rights End:
9/3/2027
Producer
iMaggination Inc
Presenter
Nashville PBS
Year Produced:
2025
Version:
Base
RECORDED LIVE AT ANALOG is a music series filmed at the Analog in Nashville, featuring an eclectic mix of genres—from Americana and rock to soul and pop. Episodes capture the raw energy of live performance while fostering a personal connection between artist and audience and an unfiltered look at the creative process, delivering unforgettable moments with the unmistakable magic of Nashville.
Episode List
#201 Dave Stewart Does Dylan
400 characters with spaces (361)
Eurythmics co-founder Dave Stewart honors his longtime friend and musical hero, Bob Dylan with songs from his album 'Dave Does Dylan.' Featuring classics like “Shelter from the Storm,” “Lay Lady Lay,” “Forever Young” and more. Stewart blends acoustic guitar, strings, piano, pedal steel guitar, and harmonica—plus stories from 40 years of friendship with Dylan.
90 characters with spaces (75)
Eurythmics co-founder, Dave Stewart celebrates his musical hero, Bob Dylan.
#202 Molly Tuttle & Ketch Secor
400 characters with spaces (370)
The Grammy winners perform a rare joint set of bluegrass and Americana hits from her catalog with Golden Highway and his with Old Crow Medicine Show including “San Joaquin,” “I Hear Them All,” “Louder Than Guns,” “Crooked Tree,” their collaboration “Big Backyard,” and the song he co-wrote with Bob Dylan, “Wagon Wheel,” plus a cover of punk band Rancid’s “Olympia WA.”
90 characters with spaces (82)
A rare joint set includes “Big Backyard,” “Wagon Wheel,” “Crooked Tree,” and more.
#203 Chase Rice
400 characters with spaces (357)
The Country maverick delivers a raw performance filled with grit and heart, tracing his evolving sound including standout tracks “Haw River” and “You in ’85” from his critically acclaimed Go Down Singin,’ a preview of “Circa 1943” from Eldora before its release, a cover of Toby Keith’s “Should’ve Been a Cowboy” and more, plus the stories behind his hits.
90 characters with spaces (84)
The Country maverick’s raw performance includes “Haw River,” “Circa 1943,” and more.
#204 George Thorogood & The Destroyers
400 characters with spaces (371)
The Boogie-Blues man and his longtime band The Destroyers, together since 1976, bring a high energy set of rock and blues celebrating 50 years of rock. They perform classic covers and original hits including “Who Do You Love?,” “One Bourbon, Once Scotch, One Beer,” “Move It On Over,” “Get A Haircut,” Born to Be Bad,” the iconic rock anthem “Bad to the Bone,” and more.
90 characters with spaces (86)
Hits “Who Do You Love?”, “Get a Haircut,” “Bad to the Bone,” Born to Be Bad” and more.
#205 Back Home Again: A Tribute to John Denver
400 characters with spaces (345)
50th anniversary celebration of Back Home Again features covers of and emotional tributes to Denver’s beloved music by Americana musicians Molly Tuttle and Ketch Secor, Ken Pomeroy, Kaitlin Butts, Lou Hazel, Emily Barker, Steve Poltz, Jobi Riccio, Judy Blank, Hiss Golden Messenger, Brandy Clark, Cactus Blossoms, and Duane Betts & Nicki Bluhm.
90 characters with spaces (87)
50th anniversary celebration concert of Back Home Again recorded at 2024 AMERICANAFEST.
#206 Deborah Silver
400 characters with spaces (369)
The chart-topping jazz vocalist’s dazzling performance reimagines classic rock hits with swinging big band arrangements from her best-selling album Basie Rocks! featuring songs by The Rolling Stones, Peter Frampton, The Beatles, Steve Miller, and more, plus timeless favorites from the Great American Songbook with a touch of Western Swing and some surprising pop hits.
90 characters with spaces (84)
Jazz vocalist reimagines classic rock, the American Songbook, pop, and country hits.
#207 The Black Crowes
400 characters with spaces (319)
30th anniversary celebration of the band’s third album amorica includes the hits “Wiser Time,” “Gone,” and “A Conspiracy” plus songs never played live before from the band’s unreleased Tallest album sessions. With amorica, brothers Chris and Rich Robinson stayed true to themselves and created their art on their terms.
90 characters with spaces (89)
30th anniversary of amorica with “Wiser Time,” “Gone,” “A Conspiracy” plus Tallestsongs.
400 characters with spaces (361)
Eurythmics co-founder Dave Stewart honors his longtime friend and musical hero, Bob Dylan with songs from his album 'Dave Does Dylan.' Featuring classics like “Shelter from the Storm,” “Lay Lady Lay,” “Forever Young” and more. Stewart blends acoustic guitar, strings, piano, pedal steel guitar, and harmonica—plus stories from 40 years of friendship with Dylan.
90 characters with spaces (75)
Eurythmics co-founder, Dave Stewart celebrates his musical hero, Bob Dylan.
#202 Molly Tuttle & Ketch Secor
400 characters with spaces (370)
The Grammy winners perform a rare joint set of bluegrass and Americana hits from her catalog with Golden Highway and his with Old Crow Medicine Show including “San Joaquin,” “I Hear Them All,” “Louder Than Guns,” “Crooked Tree,” their collaboration “Big Backyard,” and the song he co-wrote with Bob Dylan, “Wagon Wheel,” plus a cover of punk band Rancid’s “Olympia WA.”
90 characters with spaces (82)
A rare joint set includes “Big Backyard,” “Wagon Wheel,” “Crooked Tree,” and more.
#203 Chase Rice
400 characters with spaces (357)
The Country maverick delivers a raw performance filled with grit and heart, tracing his evolving sound including standout tracks “Haw River” and “You in ’85” from his critically acclaimed Go Down Singin,’ a preview of “Circa 1943” from Eldora before its release, a cover of Toby Keith’s “Should’ve Been a Cowboy” and more, plus the stories behind his hits.
90 characters with spaces (84)
The Country maverick’s raw performance includes “Haw River,” “Circa 1943,” and more.
#204 George Thorogood & The Destroyers
400 characters with spaces (371)
The Boogie-Blues man and his longtime band The Destroyers, together since 1976, bring a high energy set of rock and blues celebrating 50 years of rock. They perform classic covers and original hits including “Who Do You Love?,” “One Bourbon, Once Scotch, One Beer,” “Move It On Over,” “Get A Haircut,” Born to Be Bad,” the iconic rock anthem “Bad to the Bone,” and more.
90 characters with spaces (86)
Hits “Who Do You Love?”, “Get a Haircut,” “Bad to the Bone,” Born to Be Bad” and more.
#205 Back Home Again: A Tribute to John Denver
400 characters with spaces (345)
50th anniversary celebration of Back Home Again features covers of and emotional tributes to Denver’s beloved music by Americana musicians Molly Tuttle and Ketch Secor, Ken Pomeroy, Kaitlin Butts, Lou Hazel, Emily Barker, Steve Poltz, Jobi Riccio, Judy Blank, Hiss Golden Messenger, Brandy Clark, Cactus Blossoms, and Duane Betts & Nicki Bluhm.
90 characters with spaces (87)
50th anniversary celebration concert of Back Home Again recorded at 2024 AMERICANAFEST.
#206 Deborah Silver
400 characters with spaces (369)
The chart-topping jazz vocalist’s dazzling performance reimagines classic rock hits with swinging big band arrangements from her best-selling album Basie Rocks! featuring songs by The Rolling Stones, Peter Frampton, The Beatles, Steve Miller, and more, plus timeless favorites from the Great American Songbook with a touch of Western Swing and some surprising pop hits.
90 characters with spaces (84)
Jazz vocalist reimagines classic rock, the American Songbook, pop, and country hits.
#207 The Black Crowes
400 characters with spaces (319)
30th anniversary celebration of the band’s third album amorica includes the hits “Wiser Time,” “Gone,” and “A Conspiracy” plus songs never played live before from the band’s unreleased Tallest album sessions. With amorica, brothers Chris and Rich Robinson stayed true to themselves and created their art on their terms.
90 characters with spaces (89)
30th anniversary of amorica with “Wiser Time,” “Gone,” “A Conspiracy” plus Tallestsongs.
Program Rights
Broadcast Rights:
Unlimited
Rights Dates:
9/4/2025 - 9/3/2027
School Rights:
1 year
V.O.D. Rights:
Yes
V.O.D. Rights Type:
Concurrent w/ Broadcast Rights via Media Manager
V.O.D Other:
-
Linear Live Streaming:
Yes
Non-Commercial Cable Rights:
Yes
Program Flags
NOTE: Any instances of “fuck” and “shit” will be audio edited; time codes for all episodes except 202 do not include show open and funding pod.
201: Dave Stewart Does Dylan
Will cover:
00:01:34: “Yeah fuck right.”
00:41:23: “I was fucked up.”
00:44:20: “So he used to get the shit beaten out of him every day”
0046:14: “I gave him five quid now fucking’ tell him”
00:19:01: “It was like Ecstasy.”
00:19:09: “So I suggested this was the drink to be served.” (The drink “like ecstasy”)
00:19:41: “And then I noticed people were going up to the person that wasn’t their husband or wife and going ‘I love you’ you know”
00:29:33: “Jesus!” (or Jeez)
00:37:12: “And I went, ‘Bloody hell!’ Every journalist in the world would chop your arm off for that.”
00:37:49: “…virtually put on a pedestal, like God-like”
00:41:20: ? “Oh God a long story…” ?
00:42:13: “Those bastards came over and just raped and pillaged our whole settlement!”
00:43:45: “And I was like ‘what the hell? How does he do that?’”
00:47:25: “I came in and I was like ‘Whoa. Amazing.’ People smoking cigarettes. Drinking.”
202: Molly Tuttle & Ketch Secor
00:01:04: “Bringing in some Humboldt green” (likely reference to marijuana), repeated throughout the song
00:03:55: “Well I'm ridin' up Fifth Street, I'm comin' up Main / I tried to bum a nickel for to buy cocaine / Cocaine's gonna kill my honey dead / Now won't you tell it to me / Tell it to me / Drink corn liquor let the cocaine be / Cocaine's gonna kill my honey dead /
00:04:35: Well I sniff coke, I sniff it in the wind / The doc he says it'll kill me but he can't say when / Cocaine's gonna kill my honey dead / Now won't you tell it to me / Tell it to me / Drink corn liquor let the cocaine be / Cocaine's gonna kill my honey dead
00:05:11: Well I sniff coke before I die / I’d be sniffin cocaine if it took my life / Cocaine's gonna kill my honey dead / Now won't you tell it to me / Tell it to me / Drink corn liquor let the cocaine be / Cocaine's gonna kill my honey dead
00:05:48: All them rounders that think they're tough / But they feed their women on the beer and the snuff / Cocaine's gonna kill my honey dead / Now won't you tell it to me / Tell it to me / Drink the corn liquor let the cocaine be / Cocaine's gonna kill my honey dead (repeated)”
00:09:32: “We're damned if we make it, we're damned if we don’t”
00:18:20: “Hey Mr. Senator, I'm asking you please / Put up a down home dispensary in Tennessee” / Hello, legislator, the voters have spoken / There's too much politickin' and there’s not enough tokin'” (chorus, repeated throughout the song) – the topic of the song supports the legalization of marijuana in Tennessee and includes multiple double entendres that involve marijuana.
00:22:00: “They used to grow tobacco, then they made moonshine” (chorus, repeated)
00:22:36: “He’s got a strain that’ll punch your lights out”
00:27:59: “But I’d trade them all to taste a drop of mulberry wine”
00:30:00: “Bringing together the disparate ends of society and getting them all drunk in the front row! And dancin’ and cavorting…and probably hooking up after the show.”
00:30:21: “I got donkeys and elephants getting it on in the front row”
00:31:18: “gunned down in a minute or so”
00:35:00: “I was feeling much like the devil”
00:46:16: “O Lord don’t you hesitate”
00:49:21: “And I lost my money playin’ poker so I had to up and leave”
00:50:32: “had a nice long toke”
203: Chase Rice
00:01:00: “pullin’ all damn nighters.” / “But come five o’clock I'm the hell outta here.” / “Man, it’s a bad, bad day to be a cold, cold beer”
00:01:24: “For some hell-bent people wanna burn right through / Couple kegs in the back, let's tap 'em into gear / Man, it's a bad, bad day to be a cold, cold beer / Line 'em up, up / Throw 'em down, down / Nah, we don't need much, just another damn round / Man, it's abracadabra, they all disappear / It's a bad, bad day to be a cold, cold beer / Guess Megan's single again, 'cause her and her friends / They swinging like a wrecking ball when they came in / Drinkin' so loud that whole bar could hear / It's a bad, bad day to be a cold, cold beer / Line 'em up, up / Throw 'em down, down / We don't need much, just another damn round / Man, it's abracadabra, they all disappear / It's a bad, bad day to be a cold, cold beer / Got 'em in the crosshairs like an old Red Ryder / When it comes to this pop top, it's "Ready! Aim! Fire!" / Crack a can, that's some damn music to my ears / It's a bad, bad day to be a cold, cold beer / Line 'em up, up / Throw 'em down, down / We don't need much, just another damn round / Man, it's abracadabra, they all disappear / It's a bad, bad day to be a cold, cold beer (repeated)”
00:04:13: “Line 'em up, up / Throw 'em down, down / We don't need much, just another damn round / Man, it's abracadabra, they all disappear / It's a bad, bad day to be a cold, cold beer”\
00:05:20: “Six-shot heavy metal hangin' from a holster/In case we run into them boys from the county line over”
00:05:47: “Where you buy your bud with your moonshine money / Make your love where the bees make honey” (Repeated 3 times over the course of the song)
00:07:14:“Somewhere between the hooch and hell raisin' / We all need savin'”
00:24:26: “My Mom’s gonna hear this and go ‘what the hell?!’”
00:29:58: “You’d come home and crack open a can.”
00:30:23: “drink beer after work” (chorus, repeated)
00:32:09: “a couple Coors Banquets in hand”
00:34:21: “Slow and steady, he made his bed, settin' innocence on fire / Mom and Daddy didn't know the game / But the youngest daughter felt the shame”
00:35:40: “Dropped that hammer when she squeezed that trigger / Sent his ass down that Haw River”
00:38:12: “I miss ‘em every damn time” (damn isn’t really discernible)
00:38:55: “But God I saw all I needed to”
00:47:37: “This one’s called ‘Drinkin’ Beer. Talkin’ God. Amen.’”
00:48:17: “Sittin' here, drinkin' beer, talkin' God, amen / Killin' time, livin' life with some downhome friends / When the world's gone crazy, man, it all makes sense / Sittin' here, drinkin' beer, talkin' God, amen, amen” (chorus, repeated)
00: 48:44: “Little peace of mind from a cold one”
00:49:38: “I don't know what Heaven looks like / And who the hell does?”
00:51:22: “If I were the best damn football in the south / I'd be the SEC”
00:51:35: “Pressed on the chest of America's best / Putting bad dudes in the ground”
00:51:39: “And if I were rock 'n' roll / I'd be a middle finger in your face” (chorus, repeated)
00:55:20: “He just stole a kiss as he rode away”
00:56:14: “California’s full of whiskey, women, and gold”
204: George Thorogood & the Destroyers
***Will mask: 00.23.26 sometimes I’m so full of shit I can’t believe it
00.10.40: “me and my pal Johnnie Walker” (repeated)
00.14.19: “welcome to the hangover from hell”
00.12.37.06: we drink alone
00.17.54.23: “everyone was drinking bourbon, scotch, wine” (repeated)
00.18.25.18: “Mr. Bartender, I want to get high. I got to get loose”
00.19.19.05: “I sit there at the bar drinking bourbon, scotch, ice cold Budweiser beer”
00.22.17.20: “I’m plenty high, don’t drink and drive”
00.23.26.20: “Sometimes I’m so full of shit I can’t believe it” (will mask)
00.24.17: “last call for alcohol, I want scotch, I want bourbon, I want beer”
00.36.29.22: visually acting like he is smoking/puffing a joint
00.40.40.01: “I make a Tennessee girl squeal”
00.57.09.19: hip/waist thrust
205: Back Home Again: A Tribute to John Denver
01.01.54.13 to 10.03.10.04 - thank God I’m a country boy, God I’m a country boy (repeated)
206: Deborah Silver
00:38:33: “it’s hard to kiss the lips at night that chew your ass out all day long”
207: The Black Crowes
00:03:12: So push, push and pull on me babe / I dig your fingernails full of fur / Come on, want you to stab me baby / Do it, do it, you know it won't hurt
00:06:50: you touch my teeth and say you like the way I bite ya / Sin, skin, sounds wrong, but it’s not
00:07:28: Touch from up above and touch between your legs / Which one baby burns / You’ve been touched so many times, so many ways / Come on baby, who gets hurt
00:23:23: Hard like a hammer / In my hand / Pussy trainer / In the cold steel bed / One finger stuck inside her mouth / All of her motives you must doubt
00:29:07: Tied to the bottom / with a noose ‘round my feet / The clouds conspire / Above my head / I overheard them / Say I wish he was dead
00:30:54: I buy the drinks at the bar
00:47:09: Any day / There might be hell to pay
00:49:43: Who killed that bird up on your window sill / Are you the reason that it broke its back / Tell me, did I see you, baby, laugh about that
00:50:14: I’m gonna touch you down deep inside, babe / Yeah won’t you let it slide / Can I have some remedy / Remedy / Remedy for me, please / Want it / Need it / If I had some remedy / I’d take enough to please me
201: Dave Stewart Does Dylan
Will cover:
00:01:34: “Yeah fuck right.”
00:41:23: “I was fucked up.”
00:44:20: “So he used to get the shit beaten out of him every day”
0046:14: “I gave him five quid now fucking’ tell him”
00:19:01: “It was like Ecstasy.”
00:19:09: “So I suggested this was the drink to be served.” (The drink “like ecstasy”)
00:19:41: “And then I noticed people were going up to the person that wasn’t their husband or wife and going ‘I love you’ you know”
00:29:33: “Jesus!” (or Jeez)
00:37:12: “And I went, ‘Bloody hell!’ Every journalist in the world would chop your arm off for that.”
00:37:49: “…virtually put on a pedestal, like God-like”
00:41:20: ? “Oh God a long story…” ?
00:42:13: “Those bastards came over and just raped and pillaged our whole settlement!”
00:43:45: “And I was like ‘what the hell? How does he do that?’”
00:47:25: “I came in and I was like ‘Whoa. Amazing.’ People smoking cigarettes. Drinking.”
202: Molly Tuttle & Ketch Secor
00:01:04: “Bringing in some Humboldt green” (likely reference to marijuana), repeated throughout the song
00:03:55: “Well I'm ridin' up Fifth Street, I'm comin' up Main / I tried to bum a nickel for to buy cocaine / Cocaine's gonna kill my honey dead / Now won't you tell it to me / Tell it to me / Drink corn liquor let the cocaine be / Cocaine's gonna kill my honey dead /
00:04:35: Well I sniff coke, I sniff it in the wind / The doc he says it'll kill me but he can't say when / Cocaine's gonna kill my honey dead / Now won't you tell it to me / Tell it to me / Drink corn liquor let the cocaine be / Cocaine's gonna kill my honey dead
00:05:11: Well I sniff coke before I die / I’d be sniffin cocaine if it took my life / Cocaine's gonna kill my honey dead / Now won't you tell it to me / Tell it to me / Drink corn liquor let the cocaine be / Cocaine's gonna kill my honey dead
00:05:48: All them rounders that think they're tough / But they feed their women on the beer and the snuff / Cocaine's gonna kill my honey dead / Now won't you tell it to me / Tell it to me / Drink the corn liquor let the cocaine be / Cocaine's gonna kill my honey dead (repeated)”
00:09:32: “We're damned if we make it, we're damned if we don’t”
00:18:20: “Hey Mr. Senator, I'm asking you please / Put up a down home dispensary in Tennessee” / Hello, legislator, the voters have spoken / There's too much politickin' and there’s not enough tokin'” (chorus, repeated throughout the song) – the topic of the song supports the legalization of marijuana in Tennessee and includes multiple double entendres that involve marijuana.
00:22:00: “They used to grow tobacco, then they made moonshine” (chorus, repeated)
00:22:36: “He’s got a strain that’ll punch your lights out”
00:27:59: “But I’d trade them all to taste a drop of mulberry wine”
00:30:00: “Bringing together the disparate ends of society and getting them all drunk in the front row! And dancin’ and cavorting…and probably hooking up after the show.”
00:30:21: “I got donkeys and elephants getting it on in the front row”
00:31:18: “gunned down in a minute or so”
00:35:00: “I was feeling much like the devil”
00:46:16: “O Lord don’t you hesitate”
00:49:21: “And I lost my money playin’ poker so I had to up and leave”
00:50:32: “had a nice long toke”
203: Chase Rice
00:01:00: “pullin’ all damn nighters.” / “But come five o’clock I'm the hell outta here.” / “Man, it’s a bad, bad day to be a cold, cold beer”
00:01:24: “For some hell-bent people wanna burn right through / Couple kegs in the back, let's tap 'em into gear / Man, it's a bad, bad day to be a cold, cold beer / Line 'em up, up / Throw 'em down, down / Nah, we don't need much, just another damn round / Man, it's abracadabra, they all disappear / It's a bad, bad day to be a cold, cold beer / Guess Megan's single again, 'cause her and her friends / They swinging like a wrecking ball when they came in / Drinkin' so loud that whole bar could hear / It's a bad, bad day to be a cold, cold beer / Line 'em up, up / Throw 'em down, down / We don't need much, just another damn round / Man, it's abracadabra, they all disappear / It's a bad, bad day to be a cold, cold beer / Got 'em in the crosshairs like an old Red Ryder / When it comes to this pop top, it's "Ready! Aim! Fire!" / Crack a can, that's some damn music to my ears / It's a bad, bad day to be a cold, cold beer / Line 'em up, up / Throw 'em down, down / We don't need much, just another damn round / Man, it's abracadabra, they all disappear / It's a bad, bad day to be a cold, cold beer (repeated)”
00:04:13: “Line 'em up, up / Throw 'em down, down / We don't need much, just another damn round / Man, it's abracadabra, they all disappear / It's a bad, bad day to be a cold, cold beer”\
00:05:20: “Six-shot heavy metal hangin' from a holster/In case we run into them boys from the county line over”
00:05:47: “Where you buy your bud with your moonshine money / Make your love where the bees make honey” (Repeated 3 times over the course of the song)
00:07:14:“Somewhere between the hooch and hell raisin' / We all need savin'”
00:24:26: “My Mom’s gonna hear this and go ‘what the hell?!’”
00:29:58: “You’d come home and crack open a can.”
00:30:23: “drink beer after work” (chorus, repeated)
00:32:09: “a couple Coors Banquets in hand”
00:34:21: “Slow and steady, he made his bed, settin' innocence on fire / Mom and Daddy didn't know the game / But the youngest daughter felt the shame”
00:35:40: “Dropped that hammer when she squeezed that trigger / Sent his ass down that Haw River”
00:38:12: “I miss ‘em every damn time” (damn isn’t really discernible)
00:38:55: “But God I saw all I needed to”
00:47:37: “This one’s called ‘Drinkin’ Beer. Talkin’ God. Amen.’”
00:48:17: “Sittin' here, drinkin' beer, talkin' God, amen / Killin' time, livin' life with some downhome friends / When the world's gone crazy, man, it all makes sense / Sittin' here, drinkin' beer, talkin' God, amen, amen” (chorus, repeated)
00: 48:44: “Little peace of mind from a cold one”
00:49:38: “I don't know what Heaven looks like / And who the hell does?”
00:51:22: “If I were the best damn football in the south / I'd be the SEC”
00:51:35: “Pressed on the chest of America's best / Putting bad dudes in the ground”
00:51:39: “And if I were rock 'n' roll / I'd be a middle finger in your face” (chorus, repeated)
00:55:20: “He just stole a kiss as he rode away”
00:56:14: “California’s full of whiskey, women, and gold”
204: George Thorogood & the Destroyers
***Will mask: 00.23.26 sometimes I’m so full of shit I can’t believe it
00.10.40: “me and my pal Johnnie Walker” (repeated)
00.14.19: “welcome to the hangover from hell”
00.12.37.06: we drink alone
00.17.54.23: “everyone was drinking bourbon, scotch, wine” (repeated)
00.18.25.18: “Mr. Bartender, I want to get high. I got to get loose”
00.19.19.05: “I sit there at the bar drinking bourbon, scotch, ice cold Budweiser beer”
00.22.17.20: “I’m plenty high, don’t drink and drive”
00.23.26.20: “Sometimes I’m so full of shit I can’t believe it” (will mask)
00.24.17: “last call for alcohol, I want scotch, I want bourbon, I want beer”
00.36.29.22: visually acting like he is smoking/puffing a joint
00.40.40.01: “I make a Tennessee girl squeal”
00.57.09.19: hip/waist thrust
205: Back Home Again: A Tribute to John Denver
01.01.54.13 to 10.03.10.04 - thank God I’m a country boy, God I’m a country boy (repeated)
206: Deborah Silver
00:38:33: “it’s hard to kiss the lips at night that chew your ass out all day long”
207: The Black Crowes
00:03:12: So push, push and pull on me babe / I dig your fingernails full of fur / Come on, want you to stab me baby / Do it, do it, you know it won't hurt
00:06:50: you touch my teeth and say you like the way I bite ya / Sin, skin, sounds wrong, but it’s not
00:07:28: Touch from up above and touch between your legs / Which one baby burns / You’ve been touched so many times, so many ways / Come on baby, who gets hurt
00:23:23: Hard like a hammer / In my hand / Pussy trainer / In the cold steel bed / One finger stuck inside her mouth / All of her motives you must doubt
00:29:07: Tied to the bottom / with a noose ‘round my feet / The clouds conspire / Above my head / I overheard them / Say I wish he was dead
00:30:54: I buy the drinks at the bar
00:47:09: Any day / There might be hell to pay
00:49:43: Who killed that bird up on your window sill / Are you the reason that it broke its back / Tell me, did I see you, baby, laugh about that
00:50:14: I’m gonna touch you down deep inside, babe / Yeah won’t you let it slide / Can I have some remedy / Remedy / Remedy for me, please / Want it / Need it / If I had some remedy / I’d take enough to please me
Program Contacts
Sarah Childress
United States
Contact Type
Station Relations
Underwriters
TBA