PAINT THIS WITH JERRY YARNELL®
NOLA Code:
PTJY 1300 H1
Number of Episodes/Length:
13 / 30
Genre:
Rights End:
10/6/2024
Producer
Yarnell Studio & School of Fine Art, LLC
Year Produced:
2014
Version:
Base
Bring your paintings to life with popular workshop instructor, best-selling author and television personality Jerry Yarnell! Jerry has made painting a pleasure--and a success--for thousands of artists, both beginner and experienced alike. He delivers fine art compositions in his signature teaching style. Following Jerry's clear and friendly instructions, viewers will learn how to paint beautiful heartfelt paintings that capture not only awesome beauty, but also a feeling of peace and well-being. Jerry helps viewers channel that same sense of ease by guiding them confidently every step and stroke of the way. These are the kinds of paintings--and the kind of teacher--that will keep artists wanting to continuously learn more. A pioneer with 30 years as a TV host, he is most proud of his latest 10 years whereby Jerry’s new branding name “Paint This with Jerry Yarnell®” has catapulted his newest and greatest instructional materials well beyond the limits of what he experienced in his earlier TV shows. Jerry is honored for the opportunity to bring his viewers and students the best of his best work ever!
Episode List
#1301 Two of a Kind, Part 1
This is the beginning program of a series Jerry Yarnell has prepared for water miscible oils by painting on a 12 x 16 canvas board. In this collection Jerry offers all the tips/tricks and special knowledge for all of his students that enjoy oil painting. In each episode Jerry elaborates how to use water miscible oils, the difference between traditional oils and water miscible oils. He answers the controversial questions of painting and mixing with such a delightful medium. In this episode Jerry concentrates on the proper painting of the background.
#1302 Two of a Kind, Part 2
In episode 2, Jerry continues to discuss the value of water miscible oils and how they compare to traditional oils. He uses a wet on wet technique to block in the basic shapes and the creation of the appearance of wood grain for the table. Jerry presents an amazing demonstration on the proper mixing and blending of greens while using the water miscible oil palette.
#1303 Two of a Kind, Part 3
In episode 3, Jerry completes the green mixture and blending of the first pepper and begins the blocking in of the red pepper. Jerry discusses the use of various reds and the importance of using a limited palette and learning the idiosyncrasies of each color mix. He is still using a wet on wet technique while adding the cast shadows of the vegetables on the table while using a soft feather blending.
#1304 Two of a Kind, Part 4
In the final episode, Jerry begins adding the final details on the peppers while refining and adding the minute fine details. The addition of the soft highlights, hot spots will complete this beautiful still life of two peppers.
#1305 Rocky Mountain Refuge, Part 1
In this painting Jerry continues with his discussion of water miscible oils and elaborates on a technique he uses frequently, which is the painting of water miscible oils over acrylics. Jerry clarifies and unravels the mysteries of the water miscible oils. And how the painting of oil on TOP of acrylic is considered to be a Multi Media painting. He begins this painting with an acrylic he had started in the past on a 20 x 28 canvas and demonstrates how to clean the acrylic painting with a clean lint free rag. Then he uses the smallest minute amount of water miscible linseed oil to lightly wipe and prep the painting.
#1306 Rocky Mountain Refuge, Part 2
Jerry uses a beautiful rocky mountain acrylic painting with an outstanding composition for a mixed media painting. Jerry slowly and methodically works through the mysteries of water miscible oils. The problems of composition and design have been resolved in acrylic. When you use the water miscible oils over the top of acrylics you are enjoying the fun of the details while working on the background and middle ground of the painting.
#1307 Rocky Mountain Refuge, Part 3
Jerry continues working on the mixed media painting by applying water miscible oils over acrylics. This layering process allows for the resolution of the composition and values while providing the advantage of moving to the fun of the details on the project. Jerry discuss the comparisons of oil to acrylic painting as well as how acrylics can be used as the underpainting of an oil painting. He concludes this episode with the ‘pat push’ method of creating a grassy meadow.
#1308 Rocky Mountain Refuge, Part 4
The advantages of using acrylic under an oil painting is that you can actually save time by working out the compositional issues, the colors, values and create richer texture with water miscible oils over acrylic. In exchange for the advantages, water miscible oils require more initial prep time in mixing water miscible linseed oil to the paint to create a buttery creamy mixture. Jerry continues working on the pool of water from the bottom up to develop the richness of color, all the while allowing the acrylic underpainting to show through. He finishes up this episode by adding reflections of rocks, trees and grass in the pool with short broken strokes.
#1309 Rocky Mountain Refuge, Part 5
With the final episode, Jerry brings up the highlights slowly with multiple layers on each of the objects. He deepens the cast shadows and completes the painting with the final details. By this time practically all of the acrylic underpainting is covered. The cabin is drawn and blocked in with the three gray tones. Jerry demonstrates how to remove a charcoal sketch from an oil painting; with an eye to the technical aspects of how to correctly finish this painting, with interest, Jerry adds the traditional purple flowers. Thus, the beautiful multimedia water miscible oil painting is complete.
#1310 Prairie Magic, Part 1
This is the final water miscible oil painting project of the 1300 series. This painting is a 12 x 24 stretched canvas and Jerry starts this painting with a blue gray underpainting and he begins the layering and building of the bands of colors in the rain clouds the fill the sky. He uses the 1 ½” brush to beautifully, softly blend the bands of grays to create the sheets of rain across the prairie sky. Stormy skies with oils is to create the mixing formulas and color changes directly on the canvas and not on the palette. This will add to the drama and intensity of the stormy skies.
#1311 Prairie Magic, Part 2
The intricacy of the parts of the Oklahoma thunderstorm in the sky of this painting. Jerry continues to work wet into wet to gradually build the darker areas of the clouds. Jerry refines all the edges with highlights working across with a dark gray color. Jerry demonstrates how to create the intermediate gray and the feathering the bands with x-strokes on the clouds in the sky. The extraordinary drama of this painting is accentuated with a touch of purple in the dark clouds and yellow in the bright highlight.
#1312 Prairie Magic, Part 3
Creating a vignette of this painting by blending the corners will keep the eye flowing and not run off the page or worse yet just stop. Jerry creates a soft blend in the corners with the large brush the same as softening the edges of the rain clouds. He demonstrates a really exciting technique of pulling the rain over the prairie grass by skimming gently and feathering all the edges. Each object that is added to the prairie scene becomes more and more obvious but he stresses how each item needs to be softened to fit into the composition.
#1313 Prairie Magic, Part 4
As a conclusion to a wonderful series on the benefits and excitement of water miscible oils, Jerry finishes this painting by adding a two story house on the lone prairie. The house shapes up with shades of gray and small amounts of detail that bring life to this dramatic painting and tie it all together with lights in the window, cracks in the wood and smoking chimney.
This is the beginning program of a series Jerry Yarnell has prepared for water miscible oils by painting on a 12 x 16 canvas board. In this collection Jerry offers all the tips/tricks and special knowledge for all of his students that enjoy oil painting. In each episode Jerry elaborates how to use water miscible oils, the difference between traditional oils and water miscible oils. He answers the controversial questions of painting and mixing with such a delightful medium. In this episode Jerry concentrates on the proper painting of the background.
#1302 Two of a Kind, Part 2
In episode 2, Jerry continues to discuss the value of water miscible oils and how they compare to traditional oils. He uses a wet on wet technique to block in the basic shapes and the creation of the appearance of wood grain for the table. Jerry presents an amazing demonstration on the proper mixing and blending of greens while using the water miscible oil palette.
#1303 Two of a Kind, Part 3
In episode 3, Jerry completes the green mixture and blending of the first pepper and begins the blocking in of the red pepper. Jerry discusses the use of various reds and the importance of using a limited palette and learning the idiosyncrasies of each color mix. He is still using a wet on wet technique while adding the cast shadows of the vegetables on the table while using a soft feather blending.
#1304 Two of a Kind, Part 4
In the final episode, Jerry begins adding the final details on the peppers while refining and adding the minute fine details. The addition of the soft highlights, hot spots will complete this beautiful still life of two peppers.
#1305 Rocky Mountain Refuge, Part 1
In this painting Jerry continues with his discussion of water miscible oils and elaborates on a technique he uses frequently, which is the painting of water miscible oils over acrylics. Jerry clarifies and unravels the mysteries of the water miscible oils. And how the painting of oil on TOP of acrylic is considered to be a Multi Media painting. He begins this painting with an acrylic he had started in the past on a 20 x 28 canvas and demonstrates how to clean the acrylic painting with a clean lint free rag. Then he uses the smallest minute amount of water miscible linseed oil to lightly wipe and prep the painting.
#1306 Rocky Mountain Refuge, Part 2
Jerry uses a beautiful rocky mountain acrylic painting with an outstanding composition for a mixed media painting. Jerry slowly and methodically works through the mysteries of water miscible oils. The problems of composition and design have been resolved in acrylic. When you use the water miscible oils over the top of acrylics you are enjoying the fun of the details while working on the background and middle ground of the painting.
#1307 Rocky Mountain Refuge, Part 3
Jerry continues working on the mixed media painting by applying water miscible oils over acrylics. This layering process allows for the resolution of the composition and values while providing the advantage of moving to the fun of the details on the project. Jerry discuss the comparisons of oil to acrylic painting as well as how acrylics can be used as the underpainting of an oil painting. He concludes this episode with the ‘pat push’ method of creating a grassy meadow.
#1308 Rocky Mountain Refuge, Part 4
The advantages of using acrylic under an oil painting is that you can actually save time by working out the compositional issues, the colors, values and create richer texture with water miscible oils over acrylic. In exchange for the advantages, water miscible oils require more initial prep time in mixing water miscible linseed oil to the paint to create a buttery creamy mixture. Jerry continues working on the pool of water from the bottom up to develop the richness of color, all the while allowing the acrylic underpainting to show through. He finishes up this episode by adding reflections of rocks, trees and grass in the pool with short broken strokes.
#1309 Rocky Mountain Refuge, Part 5
With the final episode, Jerry brings up the highlights slowly with multiple layers on each of the objects. He deepens the cast shadows and completes the painting with the final details. By this time practically all of the acrylic underpainting is covered. The cabin is drawn and blocked in with the three gray tones. Jerry demonstrates how to remove a charcoal sketch from an oil painting; with an eye to the technical aspects of how to correctly finish this painting, with interest, Jerry adds the traditional purple flowers. Thus, the beautiful multimedia water miscible oil painting is complete.
#1310 Prairie Magic, Part 1
This is the final water miscible oil painting project of the 1300 series. This painting is a 12 x 24 stretched canvas and Jerry starts this painting with a blue gray underpainting and he begins the layering and building of the bands of colors in the rain clouds the fill the sky. He uses the 1 ½” brush to beautifully, softly blend the bands of grays to create the sheets of rain across the prairie sky. Stormy skies with oils is to create the mixing formulas and color changes directly on the canvas and not on the palette. This will add to the drama and intensity of the stormy skies.
#1311 Prairie Magic, Part 2
The intricacy of the parts of the Oklahoma thunderstorm in the sky of this painting. Jerry continues to work wet into wet to gradually build the darker areas of the clouds. Jerry refines all the edges with highlights working across with a dark gray color. Jerry demonstrates how to create the intermediate gray and the feathering the bands with x-strokes on the clouds in the sky. The extraordinary drama of this painting is accentuated with a touch of purple in the dark clouds and yellow in the bright highlight.
#1312 Prairie Magic, Part 3
Creating a vignette of this painting by blending the corners will keep the eye flowing and not run off the page or worse yet just stop. Jerry creates a soft blend in the corners with the large brush the same as softening the edges of the rain clouds. He demonstrates a really exciting technique of pulling the rain over the prairie grass by skimming gently and feathering all the edges. Each object that is added to the prairie scene becomes more and more obvious but he stresses how each item needs to be softened to fit into the composition.
#1313 Prairie Magic, Part 4
As a conclusion to a wonderful series on the benefits and excitement of water miscible oils, Jerry finishes this painting by adding a two story house on the lone prairie. The house shapes up with shades of gray and small amounts of detail that bring life to this dramatic painting and tie it all together with lights in the window, cracks in the wood and smoking chimney.
Program Rights
Broadcast Rights:
U/5YRS
Rights Dates:
10/7/2019 - 10/6/2024
School Rights:
1YR
V.O.D. Rights:
No
Linear Live Streaming:
Yes
Non-Commercial Cable Rights:
Yes
Program Contacts
Contact Type
Viewer